Dear Wirecutter: What’s the Best Speaker for a Classroom Projector. He hung a sheet of thin black fabric in front of the speakers, matched the levels of the speakers using the channel-balancing test noise from a Dolby Digital receiver, and then jumbled up the cables for each testing round so that he wouldn’t know what he was hearing. And JBL One Series reference monitors were created with the modern production lifestyle in mind. The ProMedia 2.1 system comes with a subwoofer to improve bass response in movies and video games, and it has a clean, simple design. The results are discussed below. It had no measurable output below 40 Hz. And it is an important step in portable PA technology with separate waveguides for HF and LF to control acoustic radiation through the room. All of these inputs are live all the time, so you have no way to switch among them—if you have sources playing on multiple inputs (including Bluetooth), you’ll hear them all simultaneously. Ideal for home recording enthusiasts, podcasters and video producers, as well as professionals … A control module with volume and subwoofer-level controls, a headphone jack, and a ⅛-inch (3.5 mm) input jack clips under either of the speakers, so you can have the controls on the right or left side. JBL 104 Reference monitors offer this high level of performance, even at loud playback levels. JBL Flip $ 89. The 104 Reference Monitor’s innovative new coaxial driver design features a high-frequency driver aligned with a precisely contoured woofer cone to deliver accurate response, exceptional detail and impressive off-axis performance, for the most neutral, accurate presentation, desktop to desktop, room to room. Eight tiny DIP switches on the back provide ±2 dB adjustment of bass and treble and also tune the speaker for its surroundings, namely how close it is to the wall and whether it’s on a desktop, on a stand, or above an audio mixer. The 104s deliver crisp highs and rich bass just as intended. The world’s top recording studios and touring artists rely on JBL Professional monitors to deliver unparalleled fidelity and performance. 10. Learn more. You can easily correct the Eris E3.5 BT’s somewhat excessive treble (which both our ears and our measurements detected) by turning the treble control down by 3 or 4 dB, and of course you can adjust the sound to your taste or to suit the acoustics of your room. Frequency response measurements can’t tell you how loudly a speaker will play deep bass notes, though, so Brent also added CTA-2010 bass output measurements, using the same process we use for our guides to the best high-performance subwoofer and the best budget subwoofer. JBL and Sony both manufacture quality Bluetooth speakers and today we are going to compare JBL vs Sony Bluetooth speakers and help you to find the best product. Compared with the LP-6, it offered a slightly clearer, more open midrange in our tests but less bass output. vs. vs. 27 facts in comparison. This allows sound to escape the cabinet, creating a resonance that allows the speakers to "breathe". There’s no need to add an external amplifier or audio processor—you simply connect the speakers to your computer’s headphone jack or the output of a USB audio interface, and you’re ready to go. As with the Mackie CR5-XBT, all inputs are live all the time, so you have no way to switch among them. We generally liked the Logitech Z625, which delivered more bass than most of the speakers we tested, but its midrange and treble sounded a bit strident at times. At a little over 10 inches high, the CR5-XBT set isn’t inconspicuous, but the pair should fit on most average-size desktops—and we know of no smaller speaker that’s as versatile. The CR5-XBT has three rear stereo inputs: a pair of ¼-inch TRS jacks that accept unbalanced or balanced connections (good for use with a USB interface or mixing board), plus RCA jacks for home stereo gear and a ⅛-inch (3.5 mm) input for connection to computers. The Mackie CR5-XBT set strikes the ideal balance between the sound quality and power of professional studio monitors and the convenience and compact size of computer speakers. Each LP-6 has an XLR balanced input and a ¼-inch TRS jack that accepts unbalanced or balanced connections (these are the inputs used with USB interfaces and mixing boards), plus an RCA jack for use with home audio gear. Thanks to a ¼-20 threaded socket on the back of each satellite speaker, you can wall-mount them using a standard gimbal mount, and if you decide to do so, you can remove the tiny metal stand on the bottom of each satellite speaker. vs. JBL Live 650BTNC. Edifier W830BT. The R1280DB offers impressive sound considering it is an entry-level studio monitor. to save it to your computer. We especially liked that the CR5-XBT pair could play loudly without apparent strain—something that’s especially important for audio production, where the listening levels tend to be louder and where mixing errors can produce accidental loud bursts of sound. In addition, the subwoofer level knob is on the sub itself, an inconvenient location. Philips PH805. With the JBL One Series 104 reference monitors, we started with the mission to give content creators the ability to hear all the details for better results while mixing and editing. Dialogue and acoustic instruments sounded clear and crisp, and the subwoofer effectively filled in the low end. This means it’s too large for many desks, but you can always put two LP-6 units on speaker stands. JBL Professional 1 Series, 104 Compact Powered Desktop Reference Monitors (sold as pair), Black (JBL104) 4.5 out of 5 stars 1,055 $139.99 $ 139 . The difference we heard: The LP-6 produced much deeper and stronger bass response, but its midrange didn’t seem as “open” and spacious as the 305P MkII’s. The CR5-XBT set comes pretty close to the clarity of low-cost professional monitors, but it can’t play as loud, and its bass doesn’t go as deep. This is accomplished through clean, integrated 60-watt Class D amplification that distributes 30 watts per speaker. It includes many useful features, too: a volume control/power switch and a headphone jack on the front, three different types of inputs on the back, and a switch that lets you set the primary speaker on the right or left side so that you have more flexibility to put the controls where you need them. You would probably connect this to your computer. Average peak output at 1 meter on the CTA-2010 test was 93.5 dB in the mid-bass (40 to 63 Hz); the speaker had no measurable output below 40 Hz. That’s just a couple of decibels short of the output of two Kali LP-6 units, more than the output of two JBL 305P MkII units, and far beyond the bass output of the Mackie CR5-XBT set. The woofer and tweeter design of most computer speakers increases the sonic fidelity of anything you listen to. The Eris E3.5 BT pair offers a volume control, a headphone jack, and an auxiliary input jack on the front plus ¼-inch and RCA inputs on the back, and it includes Bluetooth. Now, with millions of people creating their own content for video-sharing sites and podcasts, and with more musicians getting involved in home recording, most of today’s better computer speakers resemble miniature versions of professional studio recording monitors. Above 200 Hz, the CR5-XBT’s frequency response stayed within ±3.4 dB on-axis, with a bit of a dip in the midrange, and it stayed relatively smooth off-axis. vs. Edifier W860NB. I’ve already had at least one ’how can they do it for that size?’ monitor moment with the IK iLoud Micros, a … Its sound quality is comparable to that of good computer speakers like the Mackie CR5-XBT set, and its bass output approaches that of a pair of Kali LP-6 pro monitors. We thought the LP-6 sounded a lot like the JBL Professional 305P MkII, which we consider its closest competitor. However, the Eris E3.5 BT delivered 4.9 dB more output at 80 Hz than the Audioengine A1 did, so it sounded fuller. With average mid-bass output of 115.7 dB and low-bass output of 87.7 dB (both measured with a pair of speakers), the LP-6 had between 4 and 10 dB more bass output than the JBL 305P MkII, depending on the bass frequency. Many pro monitors offer numerous EQ adjustments for you to adapt them to different types of systems, rooms, and setups, but the LP-6 has more than most. Senior staff writer Brent Butterworth has been reviewing audio gear professionally since 1990, having worked as an editor or writer for SoundStage, Sound & Vision, Home Theater Review, Home Theater Magazine, and numerous other publications. The Samson MediaOne BT3 is one of the few stereo computer speaker systems under $100 that have Bluetooth support, but its sound was rather muffled in our tests. The bright green accents on the CR5-XBT speakers’ cabinet may not suit executive offices (although in certain industries it might give you some cred). Now, we’ve optimized that technology in our smallest form factor ever. Intended mainly for the gaming market, the Razer Nommo Chroma speakers have a cool cylindrical design, and for the price they sound pretty good, but in our tests their 2½-inch drivers produced very little bass. The mids and highs are well balanced and offer a very flat response. Devices with a higher sound pressure level are generally louder when supplied with any given audio source. JBL is a company that is constantly hunting for, debuting some of the best speakers in Bluetooth. Smart features like a front-panel volume control allows convenient level adjustments without straying from the sweet spot, the front-panel headphone jack automatically mutes the speakers, providing isolation in one simple step, and dual 1/4-inch balanced and single 1/8-inch unbalanced TRS inputs accommodate a wide range of sources. Now let’s dive into the details of what the Edifier R1280DB has to offer. Of models priced below $300 per pair, we think the Kali Audio LP-6 is the best bet for most aspiring (or professional) music and video producers, or for audiophiles who demand clear, full-range sound. A switch on this speaker lets you assign which speaker is left and which one is right—a great feature, as most computer speakers put the controls on the left-channel speaker, which may or may not be convenient or comfortable for your particular desk setup. Brent confirmed this impression in his blind testing. For serious audio production—especially on contemporary music such as R&B, hip-hop, and EDM—it’s worth spending a little extra money on (and devoting more space to) an inexpensive set of professional monitor speakers. This pair is a good choice if you want something smaller and less expensive than the CR5-XBT set (though larger and costlier than the PreSonus Eris E3.5 BT pair), but we think the added bass muscle of the CR5-XBT is well worth the extra bucks. The PreSonus Eris E3.5 BT is our new budget pick, and the Kali Audio LP-6 pro monitor is our upgrade pick. The power of the subwoofer nicely balanced that out, but still we recommend this system only for movies, gaming, and casual music listening, not for audio production. This is not an impressive result, but turning the speaker’s treble control down about 3 or 4 dB produces a much more even response. Many of the 2.1 systems we tested sounded great in the bass but struggled to clearly render sounds in the middle and the high end of the frequency range. After our tests, Brent bought a pair to replace his aging Genelec studio monitors, but he plays and records only jazz, which rarely contains deep bass notes. So if you want to connect, say, a Bluetooth receiver or a smart speaker with an audio output (such as an Amazon Echo Flex), you’ll have to unplug it to switch back to the computer sound. JBL has always been known in the community for producing high quality, reliable products. At 14 by 8¾ by 10¾ inches (HWD), the LP-6 is certainly big—it’s 53% larger by volume than the JBL 305P MkII and 114% larger than each Mackie CR5-XBT speaker. It still works fine as a computer speaker, although like the A1, it doesn’t produce much deep bass. We don’t know of any significant models we’ve missed in this latest update, but we’ll be watching for launches of new ones in January 2021, when the Consumer Electronics Show and the National Association of Music Merchants (NAMM) Expo would ordinarily take place. Ported monitors have a small vent or "port" cut into the speaker cabinet. Apple’s 27-inch 5K iMac is the best all-in-one computer for most people because of its fantastic display, ample processing power, and compact, minimal design. Check out stereo frequency response to compare on digital stereophony YouTube … MAXIMUM PEAK INPUT LEVEL (-10dBV / +4dBu), <10% THD at maximum output with full compressor / limiter engagement, <0.2%THD @ 1 kHz, 2.83 VRMS output; <1% THD @ 1 kHz, full rated output, 75 dBA (A-Weighted), 70 dBr (unweighted), relative to 2.83 VRMS output on HF, 9.72 in x 6.02 in x 4.88 in (247 mm x 153 mm x 124 mm), 1 x 3.5 mm (1/8") stereo headphone with auto speaker mute, 2 x 1/4-inch (6.5 mm) balanced (+4 dBu); 2 x RCA (-10 dBV); 1 x 1/8-inch (3.5 mm) unbalanced (-10 dBV), Host Monitor = 4.54 lb (2.06 kg); Extension Monitor = 3.81 lb (1.73 kg), Host and extension speaker sold as one set, Coaxial 4.5-inch (118 mm) contoured LF driver with integrated 7.5-inch (19 mm) soft-dome HF driver, Integrated 60-watt Class D power amplifier; 30 watts distributed to each speaker, Acoustically optimized for desktop placement, Three sets of inputs allow connection with professional equipment, personal music players and consumer-level devices, Host monitor includes electronics for the extension monitor, minimizing wiring and clutter, Front-panel headphone jack with speaker mute feature. Edifier R1280DB Features. Thanks to its 5-inch woofers (and apparently careful tuning), the CR5-XBT set was also the only one of the computer-speaker contenders that played the loud, deep bass of Kanye West’s “Love Lockdown” without distorting or producing port noise. JBL 104 is also there for 10-11k, which might suffice for small to medium rooms. vs. Sony WH-H900N h.ear on 2. vs. Sony WH-1000XM3. We tested 12 systems, and our new top pick is the Mackie CR5-XBT. (This should come as little surprise because the designer of the LP-6 is the former principal engineer of loudspeaker systems for JBL Professional.) And with low frequency extension down to 60 Hz, you’ll be impressed with the bass you get, even without a subwoofer. Powered computer speakers are a great option for anyone who enjoys using their computer to listen to music, watch movies, play video games, or produce music, podcasts, or videos. Product Store ... 104.5dB/mW. JBL 104 Reference monitors offer this high level of performance, even at loud playback levels. Check out stereo frequency response to compare on digital stereophony YouTube channel. With true professional studio monitors, each speaker has its own amp and can be sold individually. During this year when gamers are spending more time gaming, musicians are spending more time recording, and everybody else is just eager for good entertainment, anyone can use a great set of computer speakers. After extensively testing new models, we’ve selected the Mackie CR5-XBT pair as our favorite set of computer speakers because it sounds great, fits on most desktops, and can play bass-heavy music without threatening to self-destruct. The satellite speakers measure just 8½ by 4¼ by 7 inches (HWD) each, so they should fit easily on a desktop. Floyd E. Toole, PhD, Audio - science in the service of Art (PDF), Harman International Industries, Brent Butterworth, CTA-2010 Measurement Manual, brentbutterworth.com. We also measured each system using the same CTA-2010 output measurements process we use for our best high-performance subwoofer and best budget subwoofer guides. He pitted large models against large models, small models against small models, and pro models against pro models, and then mixed up the contenders to see how models of different types compared. The LP-6 sounded even clearer than the Mackie CR5-XBT in our tests. Home > Portable speaker comparison > Edifier Tick Tock Bluetooth vs JBL Flip. The volume and power controls are on the back, which could be inconvenient if you want to connect the LP-6 straight to a computer, but with a pro monitor you’re much more likely to use a USB interface or a mixing board with its own easily accessible volume control. Hi! The Audioengine A2+ was a previous pick in this guide and is still a good-sounding pair of speakers, but unlike the somewhat similar Audioengine HD3 set, it isn’t really tuned to compensate for its lack of bass. Though they are $150 more ($400 vs $250) - and lack digital inputs - so that's a consideration. The Eris E3.5 BT pair offers excellent sound, a small footprint, and conveniently placed controls and inputs, but it lacks deep bass. 99 $161.25 $161.25 Edifier Tick Tock Bluetooth. Research (PDF) shows that listeners consistently prefer speakers that have a “flat” frequency response—producing all frequencies of sound at approximately even levels—and that maintain similar frequency response whether you’re sitting directly in front of them or slightly off to the side. JBL 104 is also there for 10-11k, which might suffice for small to medium rooms. We show the frequency response results in the Measurements section below, and we outline the CTA-2010 results in the discussion for each model. However, you could put them on speaker stands. Some sections of this guide are based on work by Daniel Varghese, a writer with experience in producing music recordings, podcasts, and college radio programs. This means most of these speakers sound better than the computer speakers of a decade ago, which were often built more for style than for sound quality. We think at least one of our top four picks will suit most people’s needs, but we also found some other models that might be better for particular applications. vs. Sony WH-1000XM3. 99. A decade ago, people used computer speakers mostly for listening to music, playing games, and watching movies. At just 8¼ by 5½ by 7 inches (HWD) for each speaker, the Eris E3.5 BT pair should fit easily on most desktops. vs. Sony WH-1000XM4. 8. It also has Bluetooth if you prefer a wireless connection (a non-Bluetooth version is available). In that time, he has conducted and published more blind tests of audio products than any other journalist in the world, and he is an acknowledged expert in audio measurement. 2. These measurements provide a precise assessment of a speaker system’s bass capabilities. Look at reviews. Plugging a source into this jack disconnects the source connected to the cable. Check out stereo frequency response to compare on digital stereophony YouTube … JBL 104 is also there for 10-11k, which might suffice for small to medium rooms. Overall, it’s probably the most affordable way to get full-range sound from your computer. Most unusual, and effective, are the set’s bass and treble controls, each of which offers ±6 dB adjustment of those bands. “Not only did it have more bass than the other computer speakers, it had more definition through the entire audio range. Above 200 Hz, the Eris E3.5 BT’s frequency response stayed within ±5.9 dB on-axis, with a big peak in the midrange, but the response was much smoother off-axis. To get a second opinion, he brought in Dan Gonda, a woodwinds player who performs and records with numerous Los Angeles–area jazz and pop groups and who happened to be in the process of setting up his own small, computer-based recording studio at the time. The downsides are that the LP-6 is too large for many desks, it lacks conveniences such as front-panel controls, Bluetooth, and a headphone jack, and it costs more. Details like the hand claps in Chick Corea’s ‘Armando’s Rhumba’ were the most distinct through this one.” Brent thought that the CR5-XBT pair had the clearest voice reproduction of any of the computer speakers, and that it was as satisfying to listen to as a good set of passive bookshelf speakers. Average peak output of the subwoofer at 1 meter on the CTA-2010 test was 111.9 dB in the mid-bass (40 to 63 Hz) and 87.4 dB in the low bass (20 to 31.5 Hz). If your desktop is limited on space (or your wallet is limited on funds), the PreSonus Eris E3.5 BT pair is a smaller, more affordable option that still gets you most of the way toward pro-quality sound; all it really lacks is bass. We used the following criteria to decide which computer speakers to test and how to evaluate their quality. Counterfeit products are not authentic and therefore do not meet the high quality and safety standards established by JBL. The tuning options are more primitive than those on the LP-6—just a three-position switch for bass attenuation and another for ±2 dB treble trim—but for most home recording setups, they’re adequate. *At the time of publishing, the price was $124. Its 4½-inch woofers didn’t put out particularly full bass, but at moderate volumes the sound was satisfying and clear. Because it’s a pro monitor, each LP-6 is a self-contained system with its own amplifier and inputs; it’s a good bit larger than a computer speaker, and you’ll have to buy two for stereo sound. He regularly gigs on double bass (and occasionally ukulele) with Los Angeles–area jazz groups. The other input is a ⅛-inch jack on the side of the module. The Edifier R1700BT, Edifier R2000DB, and Edifier R980T all got mixed reactions from our panelists, with some liking the R2000DB in particular, but we think our picks sound better, and we’re not thrilled with Edifier’s tendency to put the controls on the back or side instead of on the front, where they’d be more convenient. He plays double bass in various jazz groups in Los Angeles, and he has been producing and engineering music and voice recordings on his own and in professional studios since the early 1980s. The only thing it doesn’t do is keep you from heading to the kitchen. Sennheiser PXC 550. The accepted tolerance for the on-axis frequency response of a high-quality speaker is plus or minus 3 dB—meaning that, when given a certain signal level from an amplifier, a speaker reproduces all frequencies of sound within that tolerance. “It has great high-frequency presence, and I loved the way I could hear the distinction between the horns, voices, and guitar on Chicago’s ‘25 or 6 to 4,’” Dan said—but perhaps more telling, he ordered the non-Bluetooth version, the Eris E3.5, right after he learned the identities and prices of the speakers he had been hearing. JBL EON615. For musicians, videographers, podcast producers, and anyone who is serious about audio production, the Kali Audio LP-6 is a superb choice for its excellent sound quality and deep-bass performance that may be adequate even for aspiring DJs and producers. The JBL Professional 305P MkII pro monitor is a smaller alternative to the Kali Audio LP-6. Average peak output of a pair of LP-6 units at 1 meter on the CTA-2010 test was 115.7 dB in the mid-bass (40 to 63 Hz) and 87.7 dB in the low bass (20 to 31.5 Hz). This is accomplished through clean, integrated 60-watt Class D amplification that distributes 30 watts per speaker. The subwoofer is much larger at 9⅜ by 10¼ by 11¼ inches, but it’s still small enough to slip easily under most desks. Another frequent question that crops up when buying the best studio monitors under $200 is: ported vs closed studio monitors. With most music, even Holly Cole’s double-bass-heavy version of “Good Time Charlie’s Got the Blues,” the Eris E3.5 BT produced a reasonable amount of bass, but when Brent tried to mix a recording of three overdubbed double basses, the speakers often distorted loudly; they also produced a lot of port noise on Kanye’s West’s “Love Lockdown.” So the Eris E3.5 BT is a good choice for average, not-too-loud listening at the desktop, and it’s fine for light production (such as for most videos and podcasts), but it isn’t a great choice for budding R&B, hip-hop, and EDM musicians or for anyone who’s watching action movies. The frequency response measurements for the ProMedia 2.1 THX (measured as a system, with the subwoofers and speakers combined) were not impressive, showing a large rise in the treble. The amplifiers and controls are built into one speaker, which connects to the other via speaker cable. However, the speaker produced loud port noise when we tried to play deep bass. So it’s great for editing podcasts, videos, and lighter music, but working on bass-heavy music requires adding a subwoofer. 7. The CR5-XBT pair’s size doesn’t suit small desktops—each speaker measures 10⅛ by 6¾ by 9¼ inches (HWD), about the size of a typical bookshelf speaker in a traditional stereo system. Package Includes: (1) Pair JBL One Series 104 Compact Powered Active Desktop Studio Reference Monitors, (1) Pair Rockville RRS190S Foam Studio Monitor Isolation Pads 7.5" x 9.5"/3 Angles, (1) Hosa CMP-159 10' 3.5mm 1/8" TRS to Dual 1/4" TS Cable - 10 Ft., (1) Samson SR350 Over Ear Closed Back Studio Reference Monitoring Stereo Headphones 11 people found this helpful. The set includes Bluetooth and plenty of inputs. JBL One Series 104: JBL’s One Series 104 prove that good sound can indeed come in a small package - just a shame there isn’t a bit more bass Small speakers are always fighting against physics. And with their efficient design, One Series speakers can be driven to 104db SPL (peak), without the distortion found in other monitors in their class. Presonus Eris E3.5 vs Edifier R1280T are two affordable speaker that can be used as an audio monitor as well when you need to … The JBL 104 Reference Monitors’ integrated 60-watt Class D power amplifier distributes a potent 30 watts per speaker. JBL 104 Reference Monitors COMPACT POWERED DESKTOP REFERENCE MONITORS JBL 104 compact, full-range, powered reference monitors draw from seven decades of JBL Professional engineering to deliver the truest, most accurate sonic presentation of any monitor in their class. vs. Edifier W828NB. We especially appreciated the ProMedia 2.1 THX’s extra bass power when watching action movies; it gave us more of the feel of having a home theater system than the other computer speakers did. Wirecutter is reader-supported. The Bose Companion 2 Series III pair is small, simple, and affordable, but we found the bass response too limited to deliver satisfying sound. Measured bass output was weak at just 93.5 dB from 40 to 63 Hz, which was 14 dB less than the result from the Mackie CR5-XBT and 0.4 dB less than that of the smaller Audioengine A1. Our frequency response measurements showed that, with the treble control centered, the Eris E3.5 BT’s response boosted high frequencies quite a bit, but turning the treble control down 3 or 4 dB produced an admirably flat response for such an inexpensive speaker. Although the Creative Sound BlasterX Kratos S5 set includes a subwoofer (and cool lights), we were underwhelmed by its bass capabilities, and the speakers made female vocals sound tinny. As most of our picks from our previous testing had been discontinued (except for the Klipsch ProMedia 2.1 THX), we ended up with a slate of 12 new models to test for our fall 2020 update, including the Audioengine A1, the JBL Professional 104-BT, the Mackie CR3-XBT, CR4-XBT, and CR5-XBT, the M-Audio BX3 and BX4, the PreSonus Eris E3.5 BT, the Razer Nommo Chroma, and the three pro monitors we tried, the JBL Professional 305P MkII, the Kali Audio LP-6, and the PreSonus Eris E5 XT. Brent then conducted about a dozen rounds of blind testing in his acoustically treated listening room, using an active switcher he had built specifically for audio-device comparisons. The Mackie CR5-XBT computer speakers were the clear favorite in our blind listening tests. Through most of the audio range, it sounded about as good as the Mackie CR5-XBT in our tests, especially when we used the Eris’s tone controls to fine-tune the sound. If any of the links above result in strange characters in your browser, please right-click the file The rear panel has two stereo inputs: ¼-inch TRS jacks that accept unbalanced or balanced connections (great for working with a USB interface or mixing board), plus RCA jacks for home stereo gear or a computer if you use a ⅛-inch–to–dual-RCA adapter cable. Comparison winner. With the above criteria in mind, we looked through all of the available models on retail sites such as Amazon, Best Buy, Guitar Center, and Sweetwater. The resulting line in the chart should look fairly flat, with no significant peaks or dips. Although its small size prevents it from playing deep bass, its midrange and treble clarity won us over. The input configuration on the ProMedia 2.1 THX is strange. After doing some research, I have narrowed down my choices to either JBL One Series 104 or going back with another Bose Companion 2 Series III. Computer speakers vary drastically in size, price, and options. This is a big difference, roughly comparable to moving halfway closer to the bass player of a band at a live outdoor gig. As we were finishing the latest update to this guide, Mackie representatives told us that the company planned to make the speakers available in white and in a green-on-black graphic pattern, as well. In our blind listening tests, the CR5-XBT pair easily beat everything but the pro monitors—not only because it had the most bass but also because it had the clearest sound.

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