Here is the answer I respectfully gave you in my first reply. Rec. If you expect your end users/clients to watch on HD television sets, then you need to grade to this standard. Rec 709 : is for TV/Cinema display . 709 wide color gamut It’s the perfect monitor for graphic design, photo editing and video production. it falls outside the standard) so to set up a monitor properly you would have a Rec.709 Colourspace and a Gamma. (See my notes above on why I think the spill suppressor is breaking in this case.) Your question suggests that you may not understand that the Vegas Preview buss and compliant video Output use different color spaces. on 2/22/2020, 5:10 PM, That said, YT seems to get the question right -- for now -- and ignores those values. (that truly was a question by the way not a rhetorical chest poke). Otherwise you need a flanders scientific or Sony monitor. Why ITU-R BT.709-5 standard defines black-white for RGB 16-235 but book says that black-white for RGB is 0-255 ? Note: I remember Vegas sometimes interpreting certain DSLR cameras as computer levels in the past (only program I've experienced this on) which is why you always want to use your waveform monitor to see what's going on with the footage. Yes, luminance is the same. The Levels fx, as it's name implies, affects only the luminance and chroma in video processing. 709 have the same primaries and white point, and they define the same gamut — you can make the same colors with both. However, I’m curious if you think that it’s better to convert to (by embedding) sRGB instead of Rec. ViewSonic’s VP3268 is one of their higher-end options geared strictly towards … The idea is that all footage items are transformed from their input profile to the working space, all calculations are performed in the working space, and then the rendered results are transformed from the working space to the display and output spaces. Professional designer monitor: custom CAD/CAM, darkroom, and animation modes; Dual View lets you work in two parallel modes simultaneously Color accurate: 100% sRGB and Rec. Embedding a color profile will tell an application that’s aware of color management how to treat the image, but it will not help create consistent color in unmanaged systems — nothing will! I find you end up clipping things when you start pushing the curves around. You seem to be asking the same questions and expecting different answers. In 22 years of production, I have never seen or used a "hypothetical secondary monitor behaving as expected." Desktop Video 10.9.10. For my purposes, the question of what the monitor is actual doing (vs what it should be doing) is downstream. 709 and sRGB – how do I know which one to pick? The Rec.709 standard does not seem to include a Gamma (i.e. This is the standard most computer monitors adhere to. 709 to 2.2 for sRGB. so far ive hit monitor measurements correctly in terms of monitor rgb and brightness control are on point. Do you want to see Vegas Preview RGB levels, or Video Output YUV (709) levels on your secondary monitor? 709 and sRGB is that the Gamma curve changes from 2.4 for Rec. What this means in practice is that they’re basically ‘close enough’ to each other to work with and you shouldn’t worry too much. So I simply meant the 10bit 709 will always deliver more color variation in color than the 8 bit sRGB.”. Alternatively, Rec. 709 and sRGB are the exact same if you setup Rec. Rec 709 is an HDTV profile. But the reason you should mostly set your camera to sRGB is to avoid color changes when uploading online or displaying on monitors. I followed up with this on the other thread, but sort of. What you should also look into is sRGB (the computer standard). Last changed by marc-s For Resident Evil 2 on the PC, a GameFAQs message board topic titled "Did anyone get HDR working? The calibration technology used for this 4K monitor for photo editing is ASUS ProArt. 709 and sRGB share the same primary chromaticities and white point chromaticity; however, sRGB is explicitly output (display) referred with an equivalent gamma of … Maybe your (and probably mine also) display is just unable to display correct image because it doesn't have BT.709 and the green filter is only there when you look this on RGB display? Technicolor Corp., Eastman Kodak, Inc., Noritsu, Pako, Hope Industries, Gretag Macbeth, CPI, Pallas Chicago/Denver, Phototron, QMI. [Steve Bentley] “As a related follow up. Choosing to work at 16bpc or 32bpc in Ae will give you visibly better results around banding and quantization (rounding) errors — even if you ultimately deliver in an 8bpc format. Use the grayscale. Yes. 709 for HD video), tagging/embedding is a critical part of the color management process. ", For further humorous enlightenment about the first 32 "possible" spurious outcomes to your predictions, see my article. outputs wont even pass RGB. That is in the rec 709 definition AFAIK. The output color C’ is an encoded value, transformed by the transfer function. In that case you need to make them match each other, and applying a computer to studio levels change to only photos appears to do that. Oddly enough, when I start the RE2 demo on my PC monitor that doesn't have HDR, it asks if I want to enable HDR. 709 is the standard for HD video, and if you're using Premiere (which is not strictly color managed), it's what Premiere assumes. Download: https://drive.google.com/open?id=1A_Ey6sbchy-5EU2jFrdOenaUwsYSnH2a, My free dual range RGB YUV grayscale and stepwedge for handoff, screens, and printers, Vegas to YouTube Tutorial (2011, not updated), Better Clipping Demo (using Photoshop Action), Other Published Resources Compiled by Nick, Set, et al​​​​. You can search a variety of options below, by utilizing the filters to find the right solution sRGB doesn’t specify the number of blues; that’s determined by the bit depth of your image and graphics system. With that said I'm mostly a Resolve user these days so perhaps I have not come across the issue with certain effects causing problems in newer versions. changed a total of 1 times. I'm on a Windows 10 machine. Been engaging in some light Color Management reading for sport. That’s great for output but when creating you need more headspace to color correct or do effects with multichannel elements that need a 16 or 32 bit space to render the colors correctly (for things like depth or blur passes). This is relevant in the sense that a curves manipulation doesn't remap the levels in the way you'd expect. Are these functionally identical previews? 709. @Musicvid - Don't you ever, ever contemplate vanishing from our Forum!! All it's really doing is applying an output correction to the view mode so you can see how it would look in a proper video pipeline. Just trying to make sure I understand the difference, if any, between what Vegas calls "studio levels" and the REC.709 spec. Top. All Designer monitors in the PD series are Technicolor Color Certified, ensuring consistent and accurate colors for an impressive color performance. [Steve Bentley] “You are absolutely correct when you say the sRGB and 8bit 709 are virtually interchangeable in the chroma capability. ViewSonic VP3268. ", https://www.vegascreativesoftware.info/us/forum/pc-to-tv-levels-a-comedy-of-errors--107325/. Like having a good lawn crew --. sRGB and Rec. You won't be able to see a much difference between them in gamma corrected (non-linear) working space, which is default in After Effects (you set your working space into linear light by ticking Linearize Working Space checkbox). Very interesting thread, thanks for the discussion. 709 and the final export will be made from Premiere or FCPX?”, [Filip Stillerska] “(3) Is it a bad idea to embed Rec. It was the intent of the sRGB standard creators that images not only look the same on different computers and monitors, but also that sRGB images on the computer (high ambient light) should give the same subjective contrast experience as Rec.709 images viewed on … We, and MAGIX, need you here. [Filip Stillerska] “(1) To achieve more realistic blendings and motion blur I want to work in a linear color space, but this means that I have to choose between Rec. Last changed by Musicvid auto correction and patches are set to about half the bar of about 2 hours and a half. 709 IPS DisplayPort HDMI DVI-D Mini DP Calman Verified Eye Care Anti-glare Tilt Pivot Swivel Height Adjustable, 27-inch WQHD (2560 x 1440) IPS monitor with frameless design, International color standard 100 sRGB and 100 Rec. Thank you so much, Walter! Most programs do not do it this way as they convert the still to studio levels. (again sRGB vs the 709 10 bit variant – I’m afraid all my assumptions were based on using the 709 10 bit). It does not talk directly to your video encoder, but may be accessed when decoding stills, I'm not sure. While Rec. Broadcast Monitors are Rec. Achieving an average Delta E≤2 in sRGB and Rec.709 color spaces, calibration results are validated against industry color standards to deliver the truest and most representative view of original content. In kinda the same way that photoshop can embed a profile? ), Dell XPS 15 laptop (2017) 32GB ram, NVIDIA 1050 (4GB) with latest studio driver, Intel i7-7700 with Intel 630 iGPU, dual internal SSD (256GB; 1TB), Windows 10 64 bitVegas 17.424Vegas 18.434, (Side note: is it okay that I am not doing anything to limit the video levels upon output? Choosing to work at 16bpc or 32bpc in Ae will give you visibly better results around banding and quantization (rounding) errors — even if you ultimately deliver in an 8bpc format. 709 video color space. Last changed by Musicvid If you have a high-gamut display or UHDTV you’re in a whole other realm. This monitor also offers 99% sRGB and 99% Rec 709 color coverage. I personally wouldn’t want to embed a color space in a file because that may alter the things you want to do with it later, or restrict what a user can see who’s screen is set up for another color space.”. Rec. – video 3dLut – for resolve (d65) rec 709/ rec 1886. set at White led. with a levels correction only, but as far as I know, the two look identical. The problem these days (as in non CRT days) is that everyone has their screen tuned up to… well they aren’t tuned up to anything and depending on the manufacturer, the light pack in behind can produce a different set of blacks – even a different set of blacks in different areas of the screen. 709 when exporting images (mostly PNG’s) for the web from AE, since 99% of the image files on my computer (from the internet but also from my camera etc.) Last changed by marc-s sRGB and Rec.709 have the same primary colours and the only difference is gamma. The Rec. Walter Soyka Designer & Mad Scientist at Keen Live [link] Motion Graphics, Widescreen Events, Presentation Design, and Consulting @keenlive [twitter]   |   RenderBreak [blog]   |   Profile [LinkedIn], [Steve Bentley] “First, in this day and age, sRGB is a horrible color space. sRGB and Rec.709 vs. DCI-P3 vs. Adobe RGB . More reading: https://www.w3.org/Graphics/Color/sRGB.html. Last changed by Musicvid help is greatly appreciated. Studio RGB = REC 709 = B.T.709 = ISEC 601 (SD) = REC 2020 (8 bit) = YUV = Y'CbCr = Apple Limited Range = yuv420p (vui) = NTSC Broadcast Luminance = 100 IRE = 740 mv p-p (analog voltage).

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