Published: Click here to read her Seattle Times interview. Lori is a Grammy nominated, Internationally recognized soprano. - Patty Nolan - Detroit Theater Examiner, Oct. 20, 2013 - Minneapolis Star Tribune - September 14, 2013   Lori continues to make her mark as one of the most distinctive Wagnarian sopranos to emerge in recent years in Der fliegender Holländer with Arizona Opera. Published:   Lori celebrates backstage with the cast and artistic staff of Seattle Opera's Siegfried "; Published: Read the story here. Website of American dramatic soprano Lori Phillips. "; "Lori Phillips as Senta ...offered plenty of gutsy power..." Published: Enregistrements … ;   March 12, 2016 Vocally, she rides the orchestra with no hint of strain, and tones it all down, with lyrical and well-controlled pianissimos when required. FEATURED VIDEO "Lori Phillips as Senta ...offered plenty of gutsy power..." Published: "As Brünnhilde, Lori Phillips had a soprano that soared easily through the heights of the role. (Jenkins later said he had waited until the last act of Siegfried, the only act in which Brünnhilde sings, for the announcement so that the audience wouldn’t be thinking about the cast change during the two preceding acts.) - Joshua Kosma, San Francisco Chronicle - Aug. 19, 2013 Published: August 9, 2012 Lori continues to make her mark as one of the most distinctive Wagnarian sopranos to emerge in recent years in Der fliegender Holländer with Arizona Opera. Part of the great French musical tradition and a member of Les Six, Darius Milhaud was an important avant-garde figure in early 20th century Paris. They were, of course, two: just as there were two superbly complementary and coordinating pianists who, while not blood relatives, seemed to similarly sense and experience each other not just musically, but kinetically and artistically. September 24, 2013 She successfully conveyed the character's transition from goddess to woman, and her rage at being betrayed by Siegfried was a dramatic highlight." Click here to read her Seattle Times interview. "Lori Phillips stepped in once again, and that in turn meant that between her and tenor Stefan Vinke, this performance boasted the single best Brünnfried combo the Stephen Wadsworth production has yet witnessed. - Pioneer Press - September 14, 2013     Lori continues her thrilling triumph as Brünnhilde in Seattle Opera's Götterdämmerung   Her singing showed remarkable security and, especially in the immolation scene, good upper-register power. August 10, 2013   Lori continues to make her mark as one of the most distinctive Wagnarian sopranos to emerge in recent years in Der fliegender Holländer with Arizona Opera. "; Published: Both principals (with Stefan Vinke as Siegfried) are persuasive, savvy actors, a particularly vital element in this theatrically exciting staging by Stephen Wadsworth." Published: August 9, 2012 Published:   Lori Phillips records Milhaud's L'Orestie with the University of Michigan on April 4, 2013. Click here to read her Seattle Times interview. Permalink-(e)tik / -(e)ra. Phillips sure seems like the real deal. "; The program, which features Phoenix from the Ashes, a song cycle by Stillman, based upon poetry from Vedem: The Secret Publication by the Boys of Terezin, also includes selected music by Viktor Ullmann, Gideon Klein, and Ilse Weber. "Wednesday's performance brought another equally memorable thrill, which was soprano Lori Phillips' full-throated and beautifully expressive Brünnhilde. "The Flying Dutchman is a vocally challenging opera-although soprano Lori Phillips, who plays Senta, made it seem like a walk in the park on opening night…Phillips' dramatic vibrato and incredible range are the ear candy of the second and third acts". Phillips creditably portrays the impassioned fulfillment of the young woman's dream and the shedding of her useless existence. August 10, 2013 On April 28, at 6 pm, the Embassy of the Czech Republic will present Phoenix from the Ashes: Terezín in Words and Music, featuring Lori Phillips and Judith Lynn Stillman (pianist and composer, The Juilliard School, BM, MM and DMA). Lori in her dressing room as she prepares for her role debut as Brünnhilde in Siegfried. "As Brünnhilde, Lori Phillips had a soprano that soared easily through the heights of the role. - Melinda Bargreen, Special to The Seattle Times - August 9, 2013 Phillips made Johohoe! Lori returns to The Metropolitan Opera roster covering Brünnhilde in The Ring Cycle on April 13, 20, 23, 26, 29, May 2, 6, 8, 11, 2013. Lori sings Senta in Der fliegender Holländer with Michigan Opera Theater at the Detroit Opera House on October 19, 23 & 26 , 2013. For more information about upcoming cultural programs, visit www.mzv.cz/washington. April 24, 2014 "Wednesday's performance brought another equally memorable thrill, which was soprano Lori Phillips' full-throated and beautifully expressive Brünnhilde.   August 10, 2013 Production Team. Both principals (with Stefan Vinke as Siegfried) are persuasive, savvy actors, a particularly vital element in this theatrically exciting staging by Stephen Wadsworth." In their enthusiasm the listeners had forgotten that almost the only reason a general director takes the stage is to deliver bad news: In this case, the cancellation of Alwyn Mellor (as Brünnhilde), who had awakened with an allergy attack that morning and could not sing. - Leslie Weisman, D.C. Metro Arts - December 11, 2016 Published: August 9, 2012 "Soprano Lori Phillips, as Senta, ...debuted with a bang....she's the real deal: a Wagnerian soprano with herculean lungs who also knows how to project subtlety when it's needed, as she did in her second act Ballad."   August 9, 2012 Critical acclaim for Lori Phillips as Brünnhilde in Seattle Opera's Siegfried 3) was among the composer’s “favorite offspring.” The Phillips sister’s voices’ timbre, like that of two impeccably tuned instruments were seamlessly bowed, played one mood, that of impassioned sorrow. Lori powerfully portrays Brünnhilde once again in Minnesota Concert Opera's Mini-Ring - Minneapolis Star Tribune - September 14, 2013, "Lori Phillips recently garnered raves in Seattle Opera's RING while filling in for Brünnhilde and proved why here, her spine-tingling voice imbued with power and subtlety.   November 19, 2013 Published:   August 10, 2013   - Joshua Kosma, San Francisco Chronicle - Aug. 9, 2013 Her thrilling soprano cut through the orchestral maelstrom with magisterial ease. Lori talks about her previous appearance with Arizona Opera as Santuzza in Cavalleria Rusticana. "As Brünnhilde, Lori Phillips had a soprano that soared easily through the heights of the role.   Published: August 10, 2013 Naxos releases the world premiere recording of Milhud's The Oresteia of Aeschylus with Lori Phillips and the University of Michigan Symphony Orchestra conducted by Kenneth Kiesler. August 9, 2012 The vocal line leapt and contracted...Phillips–skillfully applied color and detail; through a purposeful fragility, she unmasks Senta's devotion that eventually culminates in a mandatory Wagnerian love-death.". She's got a big, tireless voice with enough color and clarity to do more than simply ride out the assignment; she brought pathos and emotional transparency to Act 2 and her Immolations scene was a forceful and canny response to the scene's challenges." Her thrilling soprano cut through the orchestral maelstrom with magisterial ease. In their enthusiasm the listeners had forgotten that almost the only reason a general director takes the stage is to deliver bad news: In this case, the cancellation of Alwyn Mellor (as Brünnhilde), who had awakened with an allergy attack that morning and could not sing.   - Maria Nockin - Opera Today, November 19, 2013 Lori steps in at the last minute in her role debut as Brünnhilde in Seattle Opera's August 7, 2013 performance of Siegfried and again sings Brünnhilde in the August 9th performance of Götterdämmerung! "American soprano Lori Phillips was a convincing Senta, delivering her famous ballad with the familiarity of someone sharing every twist and turn of the unfortunate Dutchman's fate, while never doubting her capacity to save him. Phillips gave a superb performance, marked by throaty, richly colored vocalism and a wonderfully focused theatrical demeanor." Her beautifully robust, colorful voice is well matched with Gazheli's (Thomas Gazheli, who sang the Dutchman)." August 9, 2012 - Minneapolis Star Tribune - September 14, 2013 August 9, 2012 Lori is a Grammy nominated, Internationally recognized soprano. Recorded at Ingram Hall, Blair School of Music, Vanderbilt University, Nashville, Apr. How nice! Iraren datak. "Wednesday's performance brought another equally memorable thrill, which was soprano Lori Phillips' full-throated and beautifully expressive Brünnhilde. She played the man-hating princess with steely hauteur, and she looked great, especially in her Klimt-ish gown for the closing scene. The fusion reached apotheosis with the final song, “Passion Has Fled,” the dramatic intensity heightening as each singer picked up the narrative from the other—“Everything that is not boring is false”—“Everything that is not you is colorless and dead”—the two voices increasingly indistinguishable; in the end, a vocally turbo-charged twin engine emitting a single, searing sound. - Joshua Kosma, San Francisco Chronicle - Aug. 19, 2013 Read the story here. "Lori Phillips, who stepped in for a still-indisposed Alwyn Mellor in the role of Brünnhilde, was in excellent voice, pouring out high notes of thrilling quality and exhibiting a graceful ease throughout her middle register.   Programa. Phillips sure seems like the real deal. Published: October 7, 2014   As an experienced Wagnerian, she brings commanding presence and the most persuasive sense of line in her "Ballad." Published: November 19, 2013 Contact. - Mark Mandel, Opera News - August 2013 August 9, 2012 Lori Phillips records Milhaud's L'Orestie with the University of Michigan on April 4, 2013. Published: She played the man-hating princess with steely hauteur, and she looked great, especially in her Klimt-ish gown for the closing scene. Published: Dati. Published: April 11, 2013 Published: August 9, 2012 "The star on opening night was Lori Phillips in the title role. Buy 2 CDs online. Published: August 9, 2012 Her Senta is introspective, neurotic, and powerful without sacrificing femininity." "-  46, no. - Joshua Kosma, San Francisco Chronicle - Aug. 9, 2013 Soprano Lori Phillips is widely acknowledged as possessing one of the most exciting and expressive dramatic voices in opera. - Melinda Bargreen, Special to The Seattle Times - August 10, 2013 "Lori Phillips as Senta ...offered plenty of gutsy power..." Published: November 19, 2013 Lori Philips, soprano ; Sophie Delphis, mezzo-soprano ; Brenda Rae, soprano ; Tamara Mumford, mezzo-soprano ; Sidney Outlaw, baryton ; Dan Kempson, baryton ; orchestre symphonique de l’Université du Michigan ; Chœurs de l’Université ; Ensemble de percussion ; Union Chorde UMS, dir. As it happened, the replacement singer was Lori Phillips, a company regular who opened last season in the title role of Turandot... she did an excellent job of both singing and acting on Wednesday evening. (Jenkins later said he had waited until the last act of Siegfried, the only act in which Brünnhilde sings, for the announcement so that the audience wouldn’t be thinking about the cast change during the two preceding acts.) "As Brünnhilde, Lori Phillips had a soprano that soared easily through the heights of the role. Her beautifully robust, colorful voice is well matched with Gazheli's (Thomas Gazheli, who sang the Dutchman)." Published: Published: April 11, 2013 Her voice is powerful and resonant, her stage presence unaffected and convincing." "The star on opening night was Lori Phillips in the title role. Lori talks about her previous appearance with Arizona Opera as Santuzza in Cavalleria Rusticana.   Click here to read her Seattle Times interview.   Published: Lori covers Brünnhilde in The Ring Cycle with Seattle Opera on August 5, 7, 9, 13, 15, 17, 21, 23, 25, 2013. She successfully conveyed the character's transition from goddess to woman, and her rage at being betrayed by Siegfried was a dramatic highlight." Produkzioaren equipo. Lori Phillips records Milhaud's L'Orestie with the University of Michigan on April 4, 2013.

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